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Literature
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| Course Information | |
| Undergraduate Syllabus | |
| Graduate Syllabus | |
| Bibliography | |
| Art Works | |
| Suggested Topics for Seminar Paper | |
| Artist Presentation Information | |
| Course Information and Syllabi, Fall 2002 |
Bibliography
I. LITERATURE
II. FILM
III. ART
I. Literature
Armstrong, Raymond. Kafka and Pinter: Shadow-Boxing. NY: St. Martin's Press, 1999.
Ball, Hugo. Hermann Hesse: Sein Leben und sein Werk. 1927, repr. Berlin and Frankfurt: Suhrkamp, 1956.
Deleuze, Gilles and Félix Guattari. Kafka: Toward a Minor Literature. Tr. by Dana Polan. Minneapolis: U of Minnesota P, 1986.
Eilittä, Leena. Approaches to Personal Identity in Kafka's Short Fiction: Freud, Darwin, Kierkegaard. Helsinki: Academia Scientiarum Fennica, 1999.
Esselborn-Krumbiegel, Helga. Hermann Hesse: Demian, die Geschichte von Emil Sinclairs Jugend: Unterm Rad: Interpretation. Munich: Oldenbourg, 1989.
Flores, Angel, ed. The Problem of The Judgment: Eleven Approaches to Kafka's Story. NY: Gordian Press, 1977.
---------- and Homer Swander, eds. Franz Kafka Today. Madison: U of Wisconsin P, 1962.
Gray, Ronald, ed. Kafka: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1962.
Gumbrecht, Hans Ulrich. In 1926: Living at the Edge of Time. Cambridge, MA: Harvard UP, 1997.
Hamilton, Nigel. The Brothers Mann. New Haven: Yale UP, 1979. Hatfield, Henry. Thomas Mann: An Introduction to His Fiction. NY: New Directions, 1962.
----------, ed. Thomas Mann: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1964.
Kaes, Anton, Martin Jay, and Edward Dimendberg, eds. The Weimar Republic Sourcebook. Berkeley: U of California P, 1994.
Kolocotroni, Vassiliki, et al., eds. Modernism: An Anthology of Sources and Documents. Chicago: U of Chicago P, 1998.
Laqueur, Walter. Weimar--A Cultural History. NY: Putnam, 1980 (1974). Michels, Volker, ed. Hermann Hesse: Sein Leben in Bildern und Texten. Frankfurt: Suhrkamp, 1979.
Mileck, Joseph. Hermann Hesse. Life and Art. Berkeley: U of California P, 1978.
Marson, E.L. The Ascetic Artist: Prefigurations in Thomas Mann's "Der Tod in Venedig." Bern: Lang, 1979.
Niklas, Hans W. Thomas Manns Novelle "Der Tod in Venedig": Analyse des Motivzusammenhangs und der Erzählstruktur. Marburg: Elwerz, 1968.
Phillips, Max. The Artist's Wife. NY: Henry Holt, 2001.
Preece, Julian, ed. The Cambridge Companion to Kafka. Cambridge: Cambridge UP, 2002.
Richards, David. G. The Hero's Quest for the Self: An Archetypal Approach to Hesse's Demian and other Novels. Lanham, MD: U. Press of America, 1987.
----------. Exploring the Divided Self: Hermann Hesse's Steppenwolf and its Critics. Columbia, SC: Camden House, 1996.
Robertson, Ritchie, ed. The Cambridge Companion to Thomas Mann. Cambridge: Cambridge UP, 2002.
Stelzig, Eugene L. Hermann Hesse's Fictions of the Self: Autobiography and the Confessional Imagination. Princeton: Princeton UP, 1988.
Thomson, Peter and Glendyr Sacks, eds. The Cambridge Companion to Brecht. Cambridge: Cambridge UP, 1994.
Tusken, Lewis w. Understanding Hermann Hesse: The Man, His Myth, His Metaphor. Columbia, SC: U of South Carolina P, 1998.
Ziolkowski, Theodore. The Novels of Hermann Hesse: A Study in Theme and Structure. Princeton: Princeton UP, 1965.
II. FILM
Atwell, L. G.W. Pabst. Boston: Twayne, 1977.
Barlow, J.D. German Expressionist Film. Boston: Twayne, 1982.
Bouvier, M. and J-L Leutrat. Nosferatu. Paris: Cahiers du Cinéma/Seuil, 1981.
Brennicke, I. and J. Hembus, eds. Klassiker des deutschen Stmmfilms 1910-1930. Munich: Goldmann, 1978.
Brooks, Louise. Lulu in Hollywood. NY: Praeger, 1982.
Budd, M., ed. The Cabinet of Dr. Caligari: Texts, Contexts. New Brunswick: Rutgers UP, 1990.
Coates, P. The Gorgon's Gaze. German Cinema, Expressionism, and the Image of Horror. Cambridge: Cambridge UP, 1991.
Croce, A. "The Threepenny Opera." Film Quarterly 6.1. 1960.
Eisner, Lotte. The Haunted Screen. Tr. by Roger Greaves. Berkeley: U of California P, 1969.
----------. Murnau. London: Secker & Warburg, 1973.
Elsaesser, Thomas. Weimar Cinema and After: Germany's Historical Imaginary. London and NY: Routledge, 2000.
Farin, M. and G. Scholdt. Dr. Mabuse Medium des Bösen. Hamburg: Rogner und Bernhardt, 1994.
Frieden, Sandra, et al., eds. Gender and German Cinema: Feminist Interventions. Vol. 1, Part 1: "Film History Before New German Cinema." Providence and Oxford: Berg, 1993.
Gandert, G., ed. Der Film der Weimarer Republik. Ein Handbuch der zeitgenössischen Kritik, 1929. Berlin: de Gruyter, 1993.
Hake, Sabine. German National Cinema. London and NY: Routledge, 2002.
Jacobs, L. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: U of Wisconsin P, 1991.
Jung, U. and W. Schatzberg, eds. Filmkultur zur Zeit der Weimarer Republik. Munich/London/NY: K.G. Saur, 1992.
Kaplan, E.A. Women in Film Noir. London: British Film Institute, 1978.
----------. Fritz Lang. A guide to References and Resources. Boston: G.K. Hall, 1981.
Kasten, J. Der expressionistische Film. Münster: MAkS, 1990.
Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton UP, 1947.
Kurtz, R. Expressionismus und Film. Berlich: Lichtbildbühne, 1926. Repr. Zurich: Rohr, 1965.
Minden, Michael and Holger Bachmann, eds. Fritz Lang's Metropolis: Cinemtic Visions of Technology and Fear. Rochester, NY: Camden House, 2002.
Ott, F.W. The Films of Fritz Lang. Seacaucus, NJ: Citadel Press, 1979.
Rentschler, Eric, ed. German Film & Literature: Adaptations and Transformations. NY and London: Methuen, 1986.
----------, ed. The films of G.W. Pabst: An Extraterritorial Cinema. New Brunswick: Rutgers UP, 1990.
Schlemmer, G., et al., eds. G. W. Pabst. Münster: MakS-Publikationen, 1990.
Sternberg, Joseph von. Fun in a Chinese Laundry. London: Secker & Warburg, 1967.
Töteberg, Michael. Fritz Lang. Reinbek: Rowohlt, 1985.
Virilio, P. War and Cinema: The Logics of Perception. NY: Verso, 1988.
Wehling, W., ed. Der Weg ins Dritte Reich. Deutscher film und Weimars Ende. Oberhausen: Laufen, 1974.
Weinberg, H. The Lubitsch Touch. NY: Doubleday, 1964.
III. ART
Barnett, Vivian Endicott. Vasily Kandinsky: A Colorful Life: The Collection of the Lenbachhaus, Munich. Köln: DuMont, 1995. New York: Abrams, 1996.
Barron, Stephanie, ed. German Expressionism, 1915-1925. München: Prestel, 1988.
Barton, Brigid S. Otto Dix and die neue Sachlichkeit, 1918-1925. Ann Arbor: UMI Research Press, 1981.
The Berlin of George Grosz: Drawings, Watercolours and Prints, 1912-1930. London: Royal Academy of Arts and New Haven: Yale University Press, 1997.
Caws, Mary Ann. The Surrealist Look: An Erotics of Encounter. Cambridge, MA: MIT Press, 1997.
Clarke, Jay A., ed. Negotiating History: German Art and the Past. Chicago: Chicago Art Institute, 2002.
Comini, Alessandra. Egon Schiele. New York: George Braziller, 1976.
Dube, Wolf-Dieter. Expressionists and Expressionism. Geneva: Editions d'Art Albert Skira, 1983.
Elderfield, John. Kurt Schwitters. London: Thames and Hudson, 1985.
Elger, Dietmar. Expressionism: a Revolution in German Art. Tr. by Hugh Beyer. Köln: Taschen, 1998.
Fecht, Tom, ed. Käthe Kollwitz: Works in Color. Tr. by A.S. Wensinger and R.H. Wood. New York: Schocken, 1988.
Gillen, Eckhart, ed. German Art from Beckmann to Richter: Images of a Divided Country. Köln: DuMont, 1997.
Goldscheider, Ludwig. Kokoschka. London: Phaidon, 1963. In collaboration with the artist.
Gordon, Donald E. Ernst Ludwig Kirchner. Cambridge: Harvard UP, 1968.
Grohmann, Will. E. L. Kirchner. Stuttgart: W. Kohlhammer Verlag, 1958.
Grohmann, Will. Paul Klee. New York: Abrams, Hinz, Renate, ed. Käthe Kollwitz: Graphics, Posters, Drawings. Tr. by Rita and Robert Kimber. New York: Pantheon, 1982.
Holst, Christian von. Franz Marc: Horses. Ostfildern-Ruit: Hatje Cantz Verlag, 2000.
Kallir, Otto. Egon Schiele: Oeuvre Catalogue of the Paintings. New York: Crown, 1966.
Lavin, Maud. Cut with the kitchen knife: the Weimar Photomontages of Hannah Höch. New Haven: Yale UP, 1993.
Le Targat, François. Kandinsky. New York: Rizzoli, 1987.
Lloyd, Jill. German Expressionism: Primitivism and Modernity. New Haven: Yale UP, 1991.
Long, Rose-Carol Washton, ed. German Expressionism: Documents from the End of the Wilhelmine Empire to the Rise of National Socialism. Berkeley: U of California P, 1993.
Max Beckmann: Gemälde [zehn Farbtafeln]. Wiesbaden: Emil Vollmer Verlag, nd.
Miesel, Victor H., ed. Voices of German Expressionism. Englewood Cliffs, NJ: Prentice-Hall, 1970.
Mochon, Anne. Gabriele Münter: Between Munich and Murnau. Cambridge: Busch- Reisinger Museum, Harvard University, 1980.
Russell, John. Max Ernst: Life and Work. New York: Abrams, 1967.
Sabarsky, Serge. George Grosz: The Berlin Years. New York: Rizzoli, 1985.
Schmalenbach, Fritz. Oskar Kokoschka. Tr. by Violet M. Macdonald. Greenwich, CT: New York Graphic Society.
Selz, Peter. German Expressionist Painting. Berkeley: U of California P, 1974 [c. 1957].
Spies, Werner. Max Ernst: Collages. The Invention of the Surrealist Universe. Tr. by John William Gabriel. London: Thames and Hudson, 1991.
Zweite, Armin. The Blue Rider in the Lenbachhaus, Munich. Masterpieces by Franz Marc, Vassily Kandinsky, Gabriele Münter, Alexei Jawlensky, August Macke, Paul Klee. München: Prestel, 1989.
