Stephen Peles is a composer and theorist with degrees fromPrinceton University, the University of Connecticut, and
Rutgers University. His works have been performed in both
Europe and the U.S., and his numerous honors include awards
and fellowships from The MacDowell Colony, the New Jersey
State Council on the Arts, Yaddo, the Institute for
Contemporary American Music, the Virginia Center for the
Creative Arts, Meet the Composer, the National Endowment for
the Arts, and many others.
Active as a theorist, he has received the Society forMusic Theory's Outstanding Publication Young Scholar
Award, and has published on both tonal and post-tonal
theory; his other research interests include cognitive
science and philosophy of explanation. A past Editor of Perspectives
of New Music and current member of its Editorial Board,
he was also one of the founders of the SMT Philosophy
of Music special interest group, and has served on
the Editorial Board of Music Theory Spectrum. A contributor
to the Cambridge History of American Music, and an Editor of
Princeton University Press's forthcoming The Collected Writings of
Milton Babbitt, he has been on the University of Alabama
faculty since 1996, where he teaches composition and theory.