Representations of Food/Eating in Text & Image
SYLLABUS
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"L'amore per la buona tavola é amore per la vita"
(A passion for food is a passion for life)
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1. |
Introductory Discussion |
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8. |
A.J. Liebling, "A Good Appetite" (G.43-55) and Isak Dinesen, "Babette's Feast" (G. 146-172) |
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15. |
Laura Esquivel, Like Water for Chocolate |
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22. |
FILM: Like Water for Chocolate (Mexico, 1992, 105 min., Dir. Alfonso Arau) |
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29. |
Peter Mayle, "January" (G. 11-14); M.F.K. Fisher, "Define This Word" (G. 90-97); Robin Hemley, "All You Can Eat" (G. 191-200) **FIRST PAPER DUE** |
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6. |
FILM: Eat, Drink, Man, Woman (Taiwan, 1994,124 min., Dir. Ang Lee) |
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13. |
Guest Lecture: "The Representation of Food in Still-life Paintings" (Dr. Mindy Nancarrow, Art Dept.) |
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FILM: Big Night (US, 1996, 109 min., Dir. Stanley Tucci) |
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27 |
Günter Grass, The Flounder (excerpts); Tobias Wolff, "Smorgasbord" (G. 173-85) **SECOND PAPER DUE** |
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3. |
FILM: Sugarbaby (Germany, 1985, 87 min., Dir. Percy Adlon) |
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10. |
Lawrence Durrell "Something à la Carte" (G.98-101); William Hamilton, "Madame Vache"(G. 201-03); Betty Fussell, "On Murdering Eels and Laundering Swine" (G. 221-25) |
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17. |
Thomas Mann, Buddenbrooks (Chapters 1-7); Jay Jacobs, "A Feeder in France" (G. 74-83) |
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24. |
James Villas, "I took Die Kur" (G. 120-27) **THIRD PAPER DUE** |
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1. |
Franz Kafka, "The Hunger Artist" (photocopy); Hemingway, "Hunger Was |
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8. |
Somerset Maugham, "The Three Fat Women of Antibes" (G. 57-69) |
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SYLLABUS NOTES :
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Elaine Martin,
emartin@bama.ua.edu