Literature
Art
Film
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Course Information and
Syllabi, Fall 2002
Description
The 1920s were fascinating, intense, outré years--they are
not called "Roaring" by chance. Numerous Western cultures
including both Germany and the United States experienced a time
of social and political upheaval as well as extremely high cultural
production. In Germany writers such as Kafka, Hesse, Brecht, Döblin
and the Mann brothers (Heinrich and Thomas) were prolific; art flourished
in both Germany and Austria in the works of Grosz, Kokoschka, Kollwitz,
Kirchner, Klimt, Schiele, Beckmann, Dix, Marc, Kandinsky, Ernst,
Gabriele Münter and Hannah Höch; and the cinema enjoyed
an unusual concentration of talent in directors such as Fritz Lang,
F.W. Murnau, G. W. Pabst, Josef von Sternberg, and Robert Wiene.
Architecture saw the founding of the Bauhaus as well as the Modern
Movement with designers such as Gropius, Mies van der Rohe, and
Moholy-Nagy, while music also underwent radical changes in the compositions
of Gustav Mahler and Arnold Schoenberg.
Many of these artists, writers and directors knew one another, and
the ideas of modernism, expressionism, and dadaism crossed over
disciplinary boundaries. With the increasing importance of film,
automobiles, and the telephone, both communication and mobility
were enhanced; the overall pace of life quickened, especially in
large cities such as Berlin, and social and political unrest spread
more easily. Because of this interconnectedness inherent to the
period, we will look not only at literature, but also at film, art
and architecture in an attempt to understand the era in all its
complexity. The political struggles that ultimately resulted in
National Socialism and the challenges to social mores (homosexuality,
feminism, abortion rights, etc.) emerge from the various works of
art and films. The Weimar Republic lasted only 14 years, but they
were dynamic enough to give the impression today that the Weimar
years lasted much longer. And in an oblique way they have, because
many of the ideas and perceptions carried over, after World War
II, into the second half of the 20th century and even into the 21st.
Texts
At Alabama Bookstore (Univ. Blvd):
Brecht, Bertolt. The Threepenny Opera. NY: Grove, 1960.
Hesse, Hermann. Demian. NY: Dover Thrift , 2000.
Kafka, Franz. The Metamorphosis and Other Stories. NY:
Dover Thrift, 1996.
Mann, Thomas. Death in Venice and Seven Other Stories.
NY: Vintage, 1989.
Kaes, Anton, et al., eds. The Weimar Republic Sourcebook.
(Two copies also available on reserve at Gorgas Library)
Available from the Supe Store:
Mann, Heinrich. The Blue Angel (Professor Unrat), and Sternberg,
Josef von. The Blue Angel (screenplay). Photocopied text.
Check under course number GN403, or request that a copy be printed.
Reserve
Most of the texts are on overnight reserve at Gorgas Library in
both German and English. German copies of works can also be purchased
from IBIS:
Barbara Kerce
International Book Import Service
161 Main Street, P.O. Box 8188
Lynchburg, TN 37352-8188
Tel. 800-277-4247, Fax: 931-759-7555
Email: ibis@ ibiservice.com
URL: www.ibiservice.com
Course Requirements
Students will be expected to prepare all readings prior to class
and to participate actively in discussions. Each student will do
a 15-minute slide presentation on a selected artist, write a final
seminar paper of 10-15 pages, and take a final exam. The final grade
will be based on these elements, according to the following breakdown:
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Slide presentation
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10%
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Seminar paper
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35%
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Final exam
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35%
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Class participation
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20%
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Graduate students will prepare a slide presentation on an artist,
write a longer final research paper (c. 20 pages), and do some extra
secondary reading, but will not take the final exam.
Syllabus Fall 2002
| August |
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| 27 |
Introduction to the course: overview of politics, social
issues, and art
Film: Cabaret. 1972.
Dir. Bob Fosse. 128 min. Based on Christopher
Isherwood's Goodbye to Berlin and John van Druten's
play. |
| September |
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| 3 |
The Legacy of the Great War
WW I, Germany, the Versailles Treaty, pacifism, art
Reading: Kaes, Sourcebook.
Ch. 1 and Ch. 2, (intro.only, pp. 35-6)
White, Alfred. Weimar Republic. (Ency. of Germ Lit.;
handout)
Film: "Artists at War
1914-1918" (documentary). 55 min. |
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| 10 |
Modernism: Part 1
Heinrich Mann, Professor Unrat (1905)
Josef von Sternberg, The Blue Angel (filmscript)
Reading: Heinrich Mann (DLB,
on reserve)
Films: Interview with Josef v. Sternberg (excerpts). 1965.
27 min.
Marlene (Marlene Dietrich) 1993. Dir. Maximilian Schell.
91 min. |
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| 17 |
Film: The Blue Angel
1930. Dir. Josef von Sternberg. 106 min.
Reading: Joseph von Sternberg
(World Film Directors, on reserve)
24 Modernism: Part 2
Franz Kafka, Metamorphosis (1915)
Reading: Max Brod "Franz
Kafka's Posthumus Writings" (1924) in Kaes, Sourcebook,
pp. 510-12
Film: Documentary on Kafka
(Ten Great Writers: Franz Kafka) 59 min. |
| October |
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| 1 |
Modernism: Part 3
Franz Kafka, A Hunger Artist (1922, handout); The
Judgment (1913); In the Penal Colony (1919)
Reading: Franz Kafka (Encyclopedia
of German Literature, on reserve) |
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| 8 |
Hermann Hesse. Demian. (1919)
Reading: Hermann Hesse (DLB,
on reserve)
Film: The Haunted Screen:
Weimar Cinema (documentary overview) |
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| 15 |
Expressionism and the Cinema, Part I.
Reading: Kaes, Sourcebook,
Ch. 25
Film: Nosferatu. 1922.
Dir. F.W. Murnau. 64 min. |
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| 22 |
Expressionism and the Cinema, Part II.
Film: Metropolis. 1926.
Dir. Fritz Lang. 115 min.
Guest Speaker: Beau Watkins
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| 29 |
Expressionism and Art
Film: Expressionism
(documentary). 60 min.
Artists: Grosz, Schiele, Beckmann,
Kirchner, Marc, Kokoschka, Kollwitz |
| November |
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| 5 |
Dada and Surrealism in Art
Reading: Kaes, Sourcebook,
Ch. 19
Film: Dada and Surrealism
(documentary). 60 min.
Artists: Klimt, Schwitters,
Hanna Hšch, Gabriele MŸnter, Dix, Kandinsky |
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| 12 |
Modernism and the Political
The Threepenny Opera by Bertolt Brecht and Kurt
Weill (1928)
Reading: Kaes, Sourcebook,
Ch. 21 and Ch. 23 (pp.576-77 only)
Bertolt Brecht (DLB, on reserve) The Threepenny
Opera court case (handout)
Film: The Threepenny Opera.
1931. Dir. G. W. Pabst. 113 min. |
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| 19 |
Individual and Society: the Artist and Homosexuality
Thomas Mann. Death in Venice (1912)
Guest Speaker: Dr. Gamin Bartle
Reading: Thomas Mann (DLB,
on reserve)
Kaes, Sourcebook, Ch. 29
Film: Documentary on Thomas
Mann (FHS, 45 min.) |
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| 26 |
Individual and Society: the New Woman and Berlin
Readings: Kaes, Sourcebook,
Ch. 8, 16, 22
Film: Pandora's Box.
1928. Dir. G.W. Pabst. 110 min. |
| December |
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| 3 |
Modernism and Architecture
The Bauhaus, Walter Gropius, Mies van der Rohe, Moholy-Nagy
and the Modern Movement
Reading: Kaes, Sourcebook,
Ch. 17
Film: Bauhaus, The Face
of the 20th Century (documentary). 50 min.
Film:
Air, Light, and Utopia: The Modern Movement in Architecture
(documentary). 53 min. |
| Texts:
Kaes, Sourcebook = Kaes, Anton, and Martin Jay and
Edward Dimendberg, eds. The Weimar Republic Sourcebook.
(2 copies on reserve in Gorgas)
DLB = Dictionary of Literary Biography (essays on
Brecht, Th. Mann, H. Mann, and Hesse on reserve in Gorgas)
Encyclopedia of German Literature: Biographical essay
on Kafka on reserve
Essay on Weimar Republic (handout)
The Blue Angel / Professor Unrat by Heinrich Mann
and The Blue Angel filmscript by
Josef v. Sternberg are published together in a single volume.
Because the work is out of print, it is available only as
a photocopy from the Supe store. Check under GN403; if there
are none on the shelf, request that a copy be printed. |
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