GN 404/552/WL 390
German Women Filmmakers
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Spring, 1998
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Instructor: Dr. Elaine MartinDept. of Modern Languages and Classics University of Alabama Box 870262, Tuscaloosa, AL 35487 Office: Comer Hall 213 (205) 348-8520 emartin@woodsquad.as.ua.edu |
I. General Works * II. Specific Films or Filmmakers * III. Special Journal Issues
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Acker, Robert, "The Major Directions of German Feminist Cinema," Literature/Film Quarterly 13.4 (1985): 245-49.
Aycock, Wendell and Michael Schoenecke, eds. Film and Literature: A Comparative Approach to Adaptation. Lubbock: Texas Tech UP, 1988.
Barnouw, Erik. Documentary: A History of the Non-Fiction Film. NY: Oxford UP, 1974.
Barsam, Richard M. Nonfiction Film: a Critical History. NY: Dutton, 1973.
Brückner, Jutta. "Women Behind the Camera," in Ecker, Gisela: 120-4.
Brunsdon, Charlotte. Films for Women. London, 1986.
Corrigan, Timothy. New German Film: The Displaced Image. Austin: U of Texas P, 1983.
Ecker, Gisela, ed. Feminist Aesthetics. Trans. Harriet Anderson. Boston: Beacon, 1985.
Eiblmayer, Silvia, Valie Export, and Monika Prischl-Maier, eds. Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen. Texte und Dokumentation. Munich, 1985.
Elsaesser, Thomas. "'It started with these Images'--Some Notes on Political Filmmaking after Brecht in Germany: Helke Sander and Harun Farocki," Discourse 7 (1985): 95-120.
---------- . New German Cinema: A History. Basingstoke: Macmillan, 1989.
---------- . "Public Bodies & Divided Selves: German Women Film-makers in the 80s," Monthly Film Bulletin 54.647 (1987): 358-61.
Fehervary, Helen, Claudia Lenssen and Judith Mayne. "From Hitler to Hepburn: A Discussion of Women's Film Production and Reception," New German Critique 24-5 (1981): 172-85.
Fischetti, Renate. Das Neue Kino: Acht Portrts von deutschen Regisseurinnen. Frankfurt/M: tende, 1992.
Franklin, James. New German Cinema: From Oberhausen to Hamburg. Boston: Twayne, 1986.
Frieden, Sandra, et al., eds. Gender and German Cinema: Gender and Representation in New German Cinema, v. I. Providence: Berg, 1993.
---------- . Gender and German Cinema: German Film History/German History as Film, v. II Providence: Berg, 1993.
Fuegi, John. "On Brecht's 'Theory' of Film," in Ruppert, Peter: 107-18.
Gersch, Wolfgang. Film bei Brecht. Berlin: 1975.
----------and Werner Hecht, eds. Texte für Filme, v. I and II. Frankfurt: 1969 [re: Brecht's film writings].
Golden, Leon, ed. Transformations in Literature and Film. Tallahassee: U Presses of Florida, 1982.
Helt, Richard C. and M.E. West German Cinema Since 1945: A Reference Book. Metuchen, NJ: Scarecrow, 1987.
---------- . West German Cinema: 1985-1990: A Reference Book. Metuchen, NJ: Scarecrow, 1992.
Kaes, Anton. From 'Hitler' to 'Heimat.' The Return of History as Film. Cambridge: Harvard UP, 1989.
Kaplan, E. Ann. Looking for the Other: Feminism, Film, and the Imperial Gaze. NY: Routledge, 1997.
---------- . Women & Film. Both Sides of the Camera. NY: Methuen, 1983.
Knight, Julia. Women and the New German Cinema. NY: Verso, 1992.
Kuhn, Annette. Women’s Pictures; Feminism and Cinema. Boston: Routledge, 1982.
---------- and Susannah Radstone, eds. The Women's Companion to International Film. NY: Fawcett Columbine, 1991.
Levin, G. Roy, ed. Documentary Explorations. Garden City, NY: Doubleday, 1971.
Lukasz-Aden, Gudrun and Christel Strobel, eds. Der Frauenfilm. Munich, 1985.
Möhrmann, Renate. Die Frau mit der Kamera. Filmemacherinnen in der Bundesrepublik Deutschland. Situation, Perspektiven. Zehn exemplarische Lebensläufe. . Munich: Hanser, 1980.
Pflaum, Hans Günther. Germany on Film. Detroit: Wayne State UP, 1990.
---------- and Hans Helmut Prinzler. Cinema in the Federal Republic of Germany. Bonn: Inter Nationes, 1983.
Phillips, Klaus, ed. New German Filmmakers from Oberhausen through the 1970s. NY: Ungar, 1984.
Reimer, Robert C. and Carol J. Nazi-Retro Film: How German Narrative Cinema Remembers the Past. NY: Twayne, 1992.
Rentschler, Eric. German Film and Literature. Adaptations and Transformations. NY, 1986.
---------- . West German Film in the Course of Time Bedford Hills, 1984.
----------, ed. West German Filmmakers on Film:Visions and Voices. NY: Holmes and Meier, 1988.
Rich, B. Ruby. "She Says, He Says: The Power of the Narrator in Modernist Film Politics," Discourse 6 (1983): 31-46.
Rifkin, Benjamin. Semiotics of Narration in Film and Prose Fiction:Case Studies of "Scarecrow" and "My Friend Ivan Lapshin." NY: Lang, 1994.
Robbe-Grillet, Alain. "Order and Disorder in Film and Fiction," trans. Bruce Morissette Critical Inquiry 4 (1977): 1-20.
Rosenthal, Alan. The New Documentary in Action. Berkeley: U of California P, 1971.
Ruppert, Peter, ed. Ideas of Order in Literature and Film. Tallahassee: University Presses of Florida, 1980.
Sandford, John. The New German Cinema. London, 1980.
Scholes, Robert. "Narration and Narrativity in Film," Quarterly Review of Film Studies 4 (1976): 285-86.
Scott, James F. "New Terms for Order: Network Style and Individual Experiment in
American Documentary Film," in Ruppert, Peter: 59-72.
Silberman, Marc. "Cine-Feminists in West Berlin," Quarterly Review of Film Studies 5.2 (1980): 217-32.
---------- . "Women Filmmakers in West Germany: A Catalog," Camera Obscura. 6 (1980): 123-52.
---------- . "Women Filmmakers in West Germany: A Catalog (Part 2)," Camera Obscura 11 (1983): 132-45.
---------- , ed. "Film and Feminism in Germany Today," Jump Cut 27 (1982): 41-53.
---------- , ed. "German Film Women," Jump Cut 29 (1984): 49-64.
---------- , ed. "German Women's Film Culture," Jump Cut 30 (1985): 63-9.
Verband der Filmarbeiterinnen. Frauen Film Handbuch. Berlin, 1984.
---------- . Verfassungsklage. 35 Filmarbeiterinnen gegen die Regierung der Bundesrepublik Deutschland. Cologne, 1988.
II. SPECIFIC FILMS OR FILMMAKERS
Bammer, Angelika. "Through a Daughter's Eyes: Helma Sanders-Brahms's 'Germany, Pale Mother,'" New German Critique 36 (1985): 91-109.
Frey, Reiner and Christian Göldenboog. "Rebellinen wider eine bleierne Zeit. Ein Interview mit Margarethe v. Trotta über ihren Film 'bleierne Zeit,'" Filmfaust 24 (1981): 29-36.
Halter, Regina, Eva Hiller, and Renate Holy. "Die Filmemacherin Helma Sanders-Brahms" and reviews of her films, Frauen und Film 13 (1977): 21-43.
Harbord, Patricia. "Interview with Jutta Brückner," Screen Education 40 (1981-2): 48-57.
Hiller, Eva, Claudia Lenssen and Gesine Strempel. "'Gespräch mit Ula Stöckl' and reviews of her films," Frauen und Film 12 (1977): 3-23.
Hyams, Barbara. "Is the Apolitical Woman at Peace?: A Reading of the Fairy Tale in 'Germany, Pale Mother,'" Wide Angle 10.3 (1988): 40-51.
Indiana, Gary. "Valie Export," On Film 12 (1978-79).
Insdorf, Annette. "Rosa Luxemburg: More Than a Revolutionary," New York Times, 31 May 1987.
Kaplan, E. Ann. "Discourses of Terrorism, Feminism and the Family in von Trotta's Marianne and Juliane," Persistence of Vision 2 (1985): 61-8.
Kiernan, Joanna. "Films by Valie Export," Millenium Film Journal 16-18 (1986-87): 181-87.
Moeller, Hans-Bernhard. "West German Women's Cinema: The Case of Margarethe von Trotta," Film Criticism 9.2 (1984-5): 51-66.
Mueller, Roswitha. Valie Export. Fragments of the Imagination. Bloomington, IN: Indiana UP, 1995.
Pally, Marcia. "Open Dörrie," Film Comment 22.5 (1986): 42-5.
Prammer, Anita. Valie Export. Eine multimediale Künstlerin, Vienna, 1988.
Root, Jane. "Memories of Childhood, Freams of Freedom. Jane Root interviews Marianne Rosenbaum," Monthly Film Bulletin 52.613 (1985): 41-2.
Sanders-Brahms, Helma. Deutschland, bleiche Mutter. Film-Erzählung. Hamburg 1980.
Schwarzer, Albert. Begleitheft zum Film "Peppermint Frieden" von Marianne S.W. Rosenbaum. Duisburg, 1987.
Seiter, Ellen. "The Personal is Political: Margarethe von Trotta's 'Marianne and Juliane'" in Brunsdon, Charlotte, 109-16.
Steinborn, Bion and Carola Hilmes. "'Frieden' hat für uns Deutsche einen amerikanischen Geschmack. Ein Gespräch mit Marianne S.W. Rosenbaum," Filmfaust 39 (1984): 27-31.
Trotta, Margarethe von. Heller Wahn. Frankfurt/M, 1983.
---------- . Rosa Luxemburg. Nördlingen, 1986.
---------- and Luisa Franca. Das zweite Erwachen der Christa Klages. Frankfurt/M, 1980.
Vincendeau, Ginette. "Misunderstood Mother and Forgotten Father. An Interview with Helma Sanders-Brahms," Monthly Film Bulletin 52.616 (1985): 141-2.
Weber, Hans Jürgen and Ingeborg Weber, eds. Die bleierne Zeit. Ein Film von Margarethe von Trotta. Frankfurt/M, 1981.
Discourse 6 (1983).
Frauen und Film (all issues)
Literature/Film Quarterly 7.3 (1979).
Literature/Film Quarterly 13.4 (1985).
New German Critique 24-25 (1981-82).
Persistence of Vision 2 (1985).
Quarterly Review of Film Studies 5.2 (1980).
Wide Angle 3.4 (1980).
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Dr. Elaine Martin, emartin@woodsquad.as.ua.edu.