RESEARCH |
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DR. CIPRIARESEARCH INTERESTS
PUBLICATIONSCipria,
Alicia. 2007. “Language loyalty and self-esteem 250 years after
first migration: Volga German Communities in Entre Ríos, Argentina.” Cipria, Alicia. 2004.
“The Inchoative Interpretation of the Imperfecto.” Cipria, Alicia. 2003.
“Spanish perception verbs and sequence of tenses: Cipria, Alicia. “Tensed Complements of Perception Verbs: Issues in their Temporal Interpretation”. To appear in Javier Gutiérrez-Rexach (ed.) 2002, From Words to Discourse. Trends in Spanish Semantics and Pragmatics. Oxford/NY: Elsevier. Cipria, Alicia
and Craige Roberts. 2001. “A Situation Semantics approach to the
analysis of two Spanish tenses”. Natural Language Semantics 8, 4. Cipria, Alicia. June 2001. “Language and Identity in Literary Translation”. ATA Chronicle, Volume XXX.6. |
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DR. CORBALÁNRESEARCH INTERESTS20th-21st Spanish Literature and Culture, Film, Visual Arts, Women Writers, Cultural Studies, Transnational approaches to Literature and Gender Studies. PUBLICATIONS Book: El cuerpo transgresor en la narrativa española contemporánea. Ediciones Libertarias, Madrid, Spain. March 2009. Articles: “Dificultad ante una alternativa familiar en Todo sobre mi madre de Almodóvar: ¿Subversión o regresión?” Colorado Review of Hispanic Studies 6 (Spring 2009) “Reconstrucción
del pasado histórico: Nostalgia reflexiva en Cuéntame cómo
pasó.” “Cuestionando
la tradición patriarcal: La narrativa breve de Peri Rossi como
“Reivindicación
de la maternidad en la narrativa contemporánea: Ambivalencias en “Subculturas
jóvenes posmodernas: Historias del Kronen como medio de escape
y “Contradicciones inherentes a Las edades de Lulú: Entre la transgresión y la represión.” Letras Femeninas 32.2 (2006): 57-80. “Otredad e hibridez cultural: Peel my Love Like an Onion de Ana Castillo y Salsa, de Clara Obligado.” Confluencia: Revista Hispánica de Cultura y Literatura 21.2 (2006): 71-83. “Entre la aversión y el deseo: Aproximación a la mirada del otro en las páginas de Don Quijote.” Letras Hispanas 3.2 (2006): 75-85. “Aproximación
a la imagen del musulmán en la España medieval.” Lemir
7 (2003) Proceedings: “Algún amor que no mate: Dulce Chacón ante la violencia de género.” Teatro, novela y cine en los inicios del siglo XXI. Ed. José Romera Castillo. Madrid: Visor, 2008. 175-186.
Flesler, Daniela. The Return of the Moor. Spanish Responses to Contemporary Moroccan Immigrations. West Lafayette, Indiana: Purdue UP, 2008. Letras Peninsulares. Forthcoming. Martínez, Josebe. Exiliadas. Escritoras, Guerra civil y memoria. Madrid: Montesinos, 2007. Letras Femeninas. Forthcoming. Mayoral, Marina. Casi Perfecto. Madrid: Alfaguara, 2007. Letras Femeninas 33.2 (2007): 158-59. Interviews: “Un experimentador
de la novela: Entrevista a José Ángel Mañas”
Anales de la Encyclopedia Entries: “Delibes,
Miguel. Falcón, Lidia. Laforet, Carmen. Matute, Ana María.
Sampedro, José Luis” World Literature in Spanish: An Encyclopedia.
Ed. Maureen Ihrie and Salvador Oropesa. (Forthcoming)
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EDUCATION 1985
Ph. D. Indiana University (Bloomington, Indiana). Spanish with a Minor
in English. PUBLICATIONS
and WORKS Accepted for Publication “Scandal
and La Cárcel Modelo: Intertextual ‘Bouncing’ in Galdós’s
La desheredada.” Romance Quarterly 49 (2002): 36-49. REVIEWS Review
of Galdós’s tercera manera by Linda Willem. Anales Galdosianos
35 (2000): 133-36. WORKS
IN PROGRESS 1.
A critical edition of La desheredada. I already own a hard copy of the
original manuscript of this 1881 novel, and I recently purchased a first
edition, one that has not been bound, thus allowing us to see for the
first time the actual signatures (installments). WEB
SITES 1.
The Galdós Manuscript Drawings: [bama.ua.edu/~galdos] All Original,
never-before-seen drawing, sketches, and portraits from Galdós’s
original manuscripts. FUTURE
PROJECTS I.
“Las Sutilezas en Sotileza: el genio de Pereda.”
2000
Wabash College. “Politics and Polemics in Galdós’s
La desheredada.” SERVICE 2003
University Advisor’s Committee, chaired by Hank Lazer. TEACHING
UNIVERSITY OF ALABAMA (1985-Present) NEW!
Spanish Outreach! Founder and Director (SP 390). HONORS AND GRANTS 2003
Awarded $5,000 from Dr. Robert Wells in Sponsored Programs for work with
Spanish Outreach (SP 390) and the Latino Community.
FOREIGN
STUDY AND TRAVEL 2002
Research in Madrid (summer). COMPUTER
TRAINING Courses
taken at Seebeck Computer Center: PROFESSIONAL
ORGANIZATIONS (past & present) Modern
Language Association. |
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DR. TOLEDORESEARCH INTERESTSGuatemalan Artists and Writers during the Post-WarContex. Identidad y Sexualidad en los imaginarios de las artistas del arte visual y el perfomance en la Guatemala de hoy. CURRENT RESEARCH“Autobiography, Testimony, and the Narrative Hybrid: From Enrique Gómez Carrillo to the Narrators of Postmodern Guatemalan Literature” “Latin American Film and Narrative: Women Directors and Writers”
"El acento marginal de la poesía guatemalteca de los últimos tiempos". Sinopsis 10, Tuxtla Gutiérrez, México, marzo-abril, 1994. "Ante el imaginario retrato: Josefa García Granados" in Volver a imaginarlas: Retratos y espejos: biografías de escritoras centroamericanas. Janet Gold, Honduras: Guaymuras Publisher, 1998. "Era tal el ciego ardor". Introducción. Para conjurar el sueño. Anthology of Guatemalan Women Poets. Co-editor, with Anabella Acevedo. Guatemala: Landívar University, 1998. Capítulo XVII. Literatura. Enciclopedia Océano. Barcelona: Grupo Editorial Océano, 1998. "Rostros imaginarios: Escritura de biografías de mujeres guatemaltecas". Revista Letras, San Carlos University, Faculty of Humanities, 1999. "Cuando el poeta novísimo despertó, la tradición todavía estaba allí". Introduction. Tanta imagen tras la puerta. Anthology of Guatemalan Young Poets. Co-editor, with Anabella Acevedo. Guatemala: Landívar University, 1999, 11-17. "Apuntes mágico-realistas en torno a una lectura simultánea de Hombres de maíz de Miguel Angel Asturias y Macunaíma de Mário de Andrade". Algarero 4. Guatemala, June-December, 1999. "Más allá del espejo: apuntes alrededor de una nueva lectura de El señor presidente". Aida Toledo. En la mansa oscuridad blanca de la cumbre. Guatemala: Ministry of Culture Publisher, 1999, 68-93. "El alhajadito de Miguel Angel Asturias: una lectura desde afuera".San Carlos University Magazine, 1999. “Poesía, cuerpo y performance como verdaderas emergencias estéticas en la Guatemala de hoy”. Temas Centrales, San José de Costa Rica, Teóretica-The Rockfeller Foundation-GATE Foundation-Hivos, 2001, 87-94. Poetry, Body and Performance as True Aesthetic Emergencies in Today’s Guatemala”. Temas Centrales, San José de Costa Rica, Teóretica-The Rockfeller Foundation-GATE Foundation-Hivos, 2001, 354-60. “Escudriñar entre los excesos de lo masculino” La Tertulia, Electronic Review, No. 1, 5 enero, 2002. “Desencanto y escepticismo postmodernos: Las murallas de Méndez Vides”. Revista Magna Terra, No. 39. Enero/febrero, 2002. “Josefa García Granados y el arte de sobrevivir a pesar de todo”, La Cuerda Año 4, N.44, April 9, 2002. “En el performance y la instalación: espacios imaginarios de artistas guatemaltecas”. Espejos que dejan ver. María Elvira Iriarte y Eliana Ortega Ed. Isis Internacional Review, No. 33, Santiago de Chile, December 2002, 145-56. "Amores sin cabeza: Ritualidad y desenmascaramiento". Miguel Angel Asturias. Teatro. Critical Edition. Lucrecia Méndez de Penedo Ed. París. Archivos, 2003, 1127-38. “Contornos del mapa de las exclusiones: algunas observaciones sobre la escritura de mujeres guatemaltecas”. Pasos a desnivel. Mapa urbano de la cultura contemporánea en Guatemala. Rosina Cazali Ed. Guatemala: Ediciones La Curandería, 2003, 34-37. “Donde hay un erotismo fuerte hay poder”. Introduction. Aida Toledo Ed. Desde la zona abierta: artículos críticos sobre la obra de Ana María Rodas. Guatemala: Editorial Palo de Hormigo. 2004, 7-11. “Feminismo y subversión en los setenta en Guatemala: Poemas de la izquierda erótica, historia de un libro”en Desde la zona abierta, Aida Toledo Ed. Guatemala: Editorial Palo de Hormigo, 2004, 131-43. "Cuentos de derrota y esperanza de Monteforte Toledo: a propósito de una estética ligada al exilio". Revista Cultura de Guatemala. Segunda Época: Año XXV. Volumen 1, enero-abril, 2004. Guatemala: Editorial Landívar, 97-110. "Variaciones culturales de las representaciones de lo femenino, en algunas obras de Miguel Angel Asturias". Actas del Coloquio Internacional "Miguel Angel Asturias 104 años después". Revista Abrapalabra. Publicación Única. Guatemala: Universidad Landívar, 2004, 173-182. “Visiones discursivas a partir de un canon alternativo: Clarice Lispector, Diamela Eltit y Eugenia Gallardo”, en Revista Iberoamericana. University of Pittsburgh, Vol. LXX, Núms. 206, Enero-Marzo 2004, 237-249.
“Reflexiones acerca de la violencia en el lenguaje literario”.
LaCuerda, No. 66. Guatemala, abril del 2004. “Erotismo e identidad en la cultura nacional”, en La Cuerda: una mirada feminista de la realidad, Año 7, No. 69, Guatemala, Julio 2004, 8. “Apuntes y aproximaciones a la poesía guatemalteca actual”. L'Ordinaire Latino-américain.Toulouse: Editorial: I.P.E.A.L.T., Université de Toulouse-Le Mirail, Juillet-Septembre, 197, 2004, 53-59. “Entre lo indígena y lo ladino: El tiempo principia en Xibalbá y Velador de noche, soñador de día, tonalidades melodramáticas en la narrativa guatemalteca contemporánea” Tatuana Número 2. Modern Languages and Classics. University of Alabama. Agosto, 2005 http://bama.ua.edu/~tatuana “Pedazos de cielo de Arturo Monroy o de cómo se cosen los sentimientos”. Catálogo “Pedazos de cielo”. Obra reciente de Arturo Monroy. Guatemala: Centro Cultural de la Embajada de México, “Luis Cardoza y Aragón”, noviembre, 2004. “Pedazos de cielo de Arturo Monroy o de como se cosen los sentimientos”. Tatuana Número 2. Modern Languages and Classics. University of Alabama Agosto, 2005 http://bama.ua.edu/~tatuana “Estrategias discursivas en el tratamiento del erotismo y la sexualidad, en la poesía de mujeres guatemaltecas” Introduction. Rosa palpitante, Juan Fernando Cifuentes y Aida Toledo Ed., Guatemala: Editorial Palo de Hormigo, 2005, 13-26/203-204. “Tacones cercanos”. Revista D. No. 66. Prensa Libre. 9 de Octubre de 2005: 24-25.
“Tacones cercanos”. Revista D. Online Publication.
Semanario de Prensa Libre • No. 66. 9 de Octubre de 2005. “Dos ensayos: Entre el indigenismo y la contemporaneidad: la narrativa de Mario Monteforte Toledo y Augusto Monterroso y la costumbre de convertir el texto en un exigente campo minado para lectores desprevenidos”. Maga, Revista Panameña de Cultura. Tercera época. No.57-58. Octubre 2005, 20-24. “Estrategias de reconstrucción de la historia no oficial: Ceremonia del mapache de Otoniel Martínez”. Panel: “Nuevas tendencias en la literatura guatemalteca y centroamericana.” LASA 2006 XXVI International Congress, Puerto Rico, March 15-18, 2006. Memoria de las Actas del Congreso LASA, 2006, CD. “Hoja de morera de Edgar León o la pesarosa embriaguez de nostálgico retorno” Introduction. Edgar León, Laberintos del insomnio. Guatemala: Magna Terra, 2006, 9-13. “Tras la pista del Alhajadito”en Cien años de magia. Oralia Preble-Niemi Ed. Guatemala: F&G Editores, 2006, 139-155. “Gringo viejo, novela y film: subversión e intertextualidad en productos simbólicos del canon latinoamericano”. Territorios de La Mancha. Actas del VI Congreso de la AEELH, Cuenca, España, Universidad de Castilla-La Mancha, en prensa [2006]. Forthcoming in 2007-2009: “Vivir aquí y escribir desde allá: reflexiones acerca de una estética del distanciamiento” in Ana María Rodas Ed. Palabras de mujer, México: Editorial del Fondo de Cultura Económica, 2007. Introduction. Patricia Cortés. Mal de ojo. Selection of Short Stories. Guatemala: Editorial Cultura, 2007. Introduction. Enrique Noriega Ed. La manzana de la discordia: Antología de la Generación del 30. Guatemala: Magna Terra Editores, 2007. Interviews Interview with Marta Sandoval for the newspaper ElPeriódico: “Aida Toledo, con la lengua pegada al paladar”. Guatemala, 2 de agosto de 2006. Interview with Marta Sandoval for the newspaper ElPeriódico: “Aida Toledo, con la lengua pegada al paladar”. Guatemala, 2 de agosto de 2006. http://www.fygeditores.com/filcen-filgua/P00079.htmInterview with Roel Soto about Enrique Gómez Carrillo and Poetry Reading: Café con Letras Program (Coffee with Literature). San Carlos University Radio Station (92.6 FM). Monday, July 24, 2006. Interview and Poetry Reading with Johanna Godoy for Radio Faro Aviateca (Radio Station of the Ministry of Culture). Monday, July 31, 2006. Rodas, Ana María. Yo estoy, yo soy, y no necesito nada más” . By Aida Toledo. Personal interview. Guatemala, 2006. http://www.jehat.com/Jehaat/Sp/Poets/Aida.htm Interview with Ana Lucía Ola. “Recopilación de poemas”. By Ana Lucía Ola. Siglo 21. Octubre 18, 2005 Adoum, Jorge Enrique. “Jorge Enrique Adoum y Entre Marx y una mujer desnuda”. By Aida Toledo. Tatuana Número 2. Modern Languages and Classics. University of Alabama. Agosto, 2005 http://bama.ua.edu/~tatuana Interview with Professor Marie-Louise Ollé. Université de Toulouse-Le Mirail, Antigua Guatemala, July, 2005. Interview with Roel Soto: “Narrativa guatemalteca de la postmodernidad”. Café con Letras Program (Coffee with Literature). San Carlos University Radio Station (92.6 FM). Friday, July 16, 2004. Interview with Marta Sandoval for the newspaper ElPeriódico: “Ana María Rodas, más allá de sus palabras”. Guatemala, July 14 de 2004. Interviewed the Ecuadorian writer Jorge Enrique Adoum, about his novel Entre Marx y una mujer desnuda, Guatemala, August 2003. Interviewed the artist, Carolina Pineda, and made the first documentation of her visual work, Guatemala City, July-August, 2002.
Rodas, Ana María. “Yo estoy, yo soy y no necesito nada más:
diálogo con Ana María Rodas”. By Aida Toledo. Guatemala 2002. Tatuana 1.
Modern Languages and Classics. University of Alabama. Scholarly Presentations“La escritura joven guatemalteca: a propósito de la poesía de Wingston González”.CILCA. Antigua Guatemala, Abril 18-20, 2007. “Conversatorio sobre literatura centroamericana y lectura de poesía”. Festival Internacional de Poesía de Granada, y Nicaragua, 3a. Edición. February 6-11, 2007. “La miseria de Madrid: o de cómo seguirle la huella a Gómez Carrillo”. I International Congress: “Reencuentro con Enrique Gómez Carrillo”. Rafael Landivar University & Enrique Gómez Carrillo Association. Rafael Landívar University Campus. Agosto 2-4, 2006. “Por qué otra vez Gómez Carrillo”. Panel: “Excusas para volar: abordamientos críticos sobre literatura guatemalteca”. IV Congreso Internacional de la Asociación Hispánica de Humanidades. Madrid, 24-27 de junio de 2006. “Estrategias de reconstrucción de la historia no oficial: Ceremonia del mapache de Otoniel Martínez”. Panel: “Nuevas tendencias en la literatura guatemalteca y centroamericana.” LASA 2006 XXVI International Congress, Puerto Rico, March 15-18, 2006. "Entre la violencia, el desaliento y el amor, imágenes recurrentes en la poesía de cuatro poetas mayas contemporáneos" XXV Biennial Louisiana Conference on Hispanic Languages and Literatures. Lod Cook Conference Center and Hotel. Baton Rouge, Louisiana. February 23-25, 2006. “Entre el deseo y la realidad: la poesía de Isabel de los Angeles Ruano y Carolina Pineda”. XV AILFH Conference, Honduras, October 19-22, 2005. “Los discursos testimoniales de Rigoberta Menchú”. I Encuentro de Críticos Guatemaltecos. Centro Cultural de España, Junio 8-11, 2005. “Entre lo indígena y lo ladino: El tiempo principia en Xibalbá y Velador de noche, soñador de día, tonalidades melodramáticas en la narrativa guatemalteca contemporánea”. XIV CILCA (Central American International Congress). El Salvador, Central America. March 2-4, 2005. “Gringo viejo, novela y film: subversión e intertextualidad en productos simbólicos del canon latinoamericano”. VI Congreso de la Asociación Española de Estudios Literarios Hispanoamericanos. Territorios de la Mancha: Versiones y subversiones cervantinas en la Literatura Hispanomericana. Almagro- Spain. From September 27-October 1, 2004. “Discursos desgarrados, autobiográficos y paródicos en las narrativas de Clarice Lispector, Diamela Eltit y Eugenia Gallardo". Annual Cincinnati Conference on Romance Languages and Literatures. May 13-15, 2004. "Intertextualidad, hipertextualidad y representación en: Entre Marx y una mujer desnuda de Jorge Enrique Adoum y Camilo Luzuriaga”. SECOL LXX and LAVIS III. University of Alabama. April 15-17, 2004. “La Izquierda erótica de Ana María Rodas: historia de un libro subversivo”. Southeast Coastal on Language & Literature. Georgia Southern University. March 25-27, 2004. “Variaciones culturales de las representaciones de lo femenino, en algunas obras de Miguel Ángel Asturias”, International Colloquium “Miguel Angel Asturias 104 años después”, Guatemala, Landívar University, July 2-4, 2003. “Bosquejando el mapa artístico en Guatemala: textualidades híbridas y descentradas" Congreso Internacional de Literatura Centroamericana (CILCA) San José, Costa Rica, March 4-7, 2003. “Texturas cotidianas y representaciones de lo femenino en los imaginarios de artistas y escritoras de Guatemala”, Dallas, Latin American Studies Association (LASA), March 27-29, 2003. “Cuban-ism: the Aesthetic in Gutierrez Alea Films”. Southern Comparative Literature Asociation (SCLA), Alabama, October 2002. “Visiones discursivas a partir de la aparición de un canon alternativo: Clarice Lispector, Diamela Eltit y Eugenia Gallardo y el cómo narrar desde espacios femeninos”. 55th Annual Kentucky Foreign Language Conference, University of Kentucky, April 18-20, 2002. “Las formas de representación de la mujer en los carteles de publicidad y fotografías de películas mexicanas en la primera mitad del siglo xx”.Cultural Encounters Conference, Tulane University, April 4-6, 2002. “The Cuban film of Gutiérrez Alea”. Latin American Studies Seminar. University of Alabama, April 2, 2002. "Poesía, cuerpo y performance como verdaderas emergencias estéticas en la Guatemala de hoy", Central American Congress "Cultura y Pensamiento", Costa Rica, May, 2000. "Antecedentes y desarrollo de la poesía visual latinoamericana del siglo XX", Forth Worth, Texas Christian University, April 2000. "Rasgos postmodernos en Las murallas de Méndez Vides", Central American International Congress, Guatemala, March, 2000. "El alhajadito de Miguel Angel Asturias", New York, Americas Society, March 2000. "El alhajadito de Miguel Angel Asturias: una lectura desde afuera", Congress of the Magazine: "Alba de América", Guatemala, August, 1999. "La poesía de Miguel Angel Asturias", Poetry Workshop, Cobán City, Guatemala, August, 1999. "De oficio de escritor a oficio de lector: comentarios alrededor de Oficio de lector de Luis Eduardo Rivera", Quetzaltenango City,"Frida Khalo"Bookstore, August, 1999. "Las murallas de Méndez Vides", Quetzaltenango City, Guatemala, June, 1999. "Rostros imaginarios: escritura de biografías de mujeres guatemaltecas", Central American International Congress, Panamá, March, 1998. "Memoria de la muerte de Edgar Gutiérrez: viaje sobre un paisaje impreciso", "La Bodeguita del Centro", Guatemala City, 1997. "La poesía de Ana María Rodas: fundación de un nuevo espacio poético", Central American Universities Congress, MUSAC, University of San Carlos, 1997. "Poesía guatemalteca de los últimos tiempos". Lecture and Reading of Contemporary Guatemalan poetry In Spanish. New Hampshire. University of New Hampshire, October 1996. "Poesía guatemalteca actual". Faculty of Humanities, Department of Literature, August, 1994. "Los demonios salvajes de Mario Roberto Morales: apuntes sobre una estética de la incoherencia", Guatemala, MUSAC, August, 1993. "El acento marginal de la poesía guatemalteca de los últimos tiempos". "Intellectual Congress", Chiapas, México, 1993. "La poesía de Luis Eduardo Rivera, Enrique Noriega, Ana María Rodas y Francisco Nájera", Alianza Francesa de Guatemala, 1992. "El ascensor: Estrategias textuales en un cuento de Ricardo Estrada Estrada" Guatemala, Faculty of Humanities,Department of Literature,Simposio sobre Ricardo Estrada, 1992. PUBLICATIONSAnthologies Para conjurar el sueño, Anthology of Guatemalan Women Poets. Co-editor, with Anabella Acevedo. Guatemala: Landívar University, 1998.
En
la mansa oscuridad blanca de la cumbre. Women Essays. Miguel Angel Asturias'
Work. Guatemala: Ministry of Culture Publisher, 1999. Mujeres que cuentan. Anthology of Guatemalan Women Writers. Co-editor, with Lucrecia Méndez de Penedo. Guatemala: Landívar University, 2000. Literary Criticism Books Vocación de herejes: Reflexiones acerca de literatura guatemalteca contemporánea. Guatemala: Ministry of Culture Publisher-AcademiaEditora, 2002. Text Books Comunicación 2. Spanish Text Book for Middle School. Aida Toledo and Sagrario Castellanos, Ed. Guatemala: Editorial Norma, 1995 Poetry Books Brutal batalla de silencios. Guatemala: Ministry of Culture Publisher, 1990.
Bondades de la cibernética/ Kindness of Cybernetics, Bilingual Edition. Guatemala: Landívar University-Colloquia-El Cadejo Publisher, 1998. Noches
que mi lengua lame, Guatemala: El Cadejo Publisher, 2003. Narrative
Book Pezóculos, Guatemala: Palo de Hormigo Publisher, 2001.
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Biography of George Wayland Taylor A native of Charlottesville, Virginia, where he received his undergraduate degree at the University of Virginia, Dr. George W. Taylor spent a few years of employment before continuing his education with the master's program in Spanish at Louisiana State University in Baton Rouge. The master's thesis topic centered on the Spanish author Baroja as an interest within the 19th and 20th centuries of Peninsular literature. After gaining the M.A.degree, he added graduate credits in Latin American Studies to include the fields of history, geography, political science and others within the Spanish speaking world. In 1980 he received the Ph.D. in Spanish from the University of Massachusetts with modem Peninsular literature as the major concentration of studies and modern Spanish American literature and Spanish linguistics as minor areas. Since 1984 he has lived in Tuscaloosa with his wife and children while teaching at the University of Alabama in the Department of Romance Languages and Classics, now constituted within the Department of Modern Languages and Classics. In recent years his teaching has focused upon the honors classes of Spanish 201 and 202 as well as the two courses of civilization and culture for Spain and Spanish America. Knowing and relating to Hispanics locally and in several Hispanic countries and time spent in those countries provides Dr. Taylor with unending interests for enthusiastic expression inside and outside of the classroom. The creative use of language through writing fiction is another strong interest. |
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DR. JANIGA-PERKINSBooks Reviewed Janiga-Perkins, Constance, J. Immaterial Transcendences: Colonial Subjectivity as Process in Brazil's "Letter" of Discovery (1500). Wor(l)ds of Change: Latin American & Iberian Literature 51. New York: Peter Lang, 2001. 144 pp. Janiga-Perkins' Immaterial Transcendences offers a close reading of Pero Vaz de Caminha's Letter of Discovery [Carta de achamento] that aims at uncovering rhetorical devices within the text that point to a (European or Portuguese) colonial subjectivity in crisis as it attempts to represent the newly encountered (Amerindian) Other. Janiga-Perkins argues that far from being a seamless narrative where Renaissance Europe takes textual possession of the New World and its inhabitants, the birth certificate of Brazil reveals the act of representation as 'process' whereby both subject and object are transformed into a 'third' or 'hybrid' entity. This particular insight opens up the possibility for new readings of this seminal text. In fact, the author treats Caminha's Letter both as historical and literary text, therefore her work is a cross between literary analysis and historiography, at the same time as it is nurtured by conceptual notions stemming from postcolonial theory, deconstruction, and to a certain degree, psychoanalysis. More precisely, Janiga-Perkins suggests that there is a tense movement within the text that, in essence, reveals a struggle to bridge the gap between separateness and unity, as far as the relationship between the Portuguese and the Tupi is concerned. Thus, at one extreme of this contact zone there is a series of 'textual stutters' that occur in key segments of the document. These stutters would constitute unconscious rhetorical manifestations within European colonial discourse of the impossibility of taking possession of the Other. The author desires to determine when, how, where, and why these textual stutters occur. A large portion of Janiga-Perkins study is dedicated to analyzing these rhetorical manifestations. At the other extreme of the Tupi-Portuguese contact zone would be instances of reciprocal acculturation where the distinction between self and Other begins to blur. This is most noticeable in reference to nudity. It is a well-known fact to readers of this foundational text that the Portuguese become most fascinated by the unselfconsciousness displayed by the Tupi with regard to nudity. This plain reality drastically subverts fifteenth/sixteenth century European notions of culture and civilization, and yet, as Janiga-Perkins affirms, the writing subject in the Letter of Discovery seems to be at least temporarily seduced into accepting the naturalness of the naked body. Hence, Immaterial Transcendences takes the reader through various passages within the Letter where one witnesses 'acts of transcendence,' in which the writing subject transcends the existential/cultural position where he is initially located as the narrative progresses. Immaterial Transcendences offers one of the most suggestive as well as meticulous close readings available of Brazil's Letter of Discovery. Janiga-Perkins' book is successful in providing new critical ways of approaching one the most canonical texts within Luso-Brazilian literature and historiography. Most particularly, by absorbing various hermeneutical strategies and conceptual notions from contemporary theoretical currents such as postcolonialism and deconstruction, and effectively deploying them in her analysis, Caminha's Letter can now be read differently; no longer as a site of colonial stasis but as a site of contradiction, ambivalence, and resistance. This particular book exemplifies the considerable leaps in the critical reception of colonial texts since the pioneering philological work by Jaime Cortesao (in A Carta de Pero Vaz de Caminha, 1943) and is more in line with thf more recent theoretically informed readings by critics such as Alfredo Bosi (Dialetica da colonizacao, 1992), even though Janiga-Perkin's work is not informed by Marxism as Bosi's work. For its content matter and engaging theoretical approach Immaterial Transcendences should appeal greatly to literary critics and historians alike, Luso-Brazilianists, as well as Latin Americanists, and in general, scholars of colonialism. As for its shortcomings, the author could have helped the reader by further clarifying the meaning of the book title. The author intimates as to its various shades of meaning but a more straightforward definition at the beginning would have been useful. Otherwise, the term "Luso-Brazilian," which is never used by the author, is in fact more appropriate when describing the "place of origin" of Caminha's Letter. It is as Brazilian as it is Portuguese and it was produced at a moment when the borders between both Portugal and Brazil were not clearly defined. The term "Conquest," on the other hand, has been traditionally used in reference to the Spanish experience of navigations and "discoveries" and not to the Portuguese. Yet, this conscious or unconscious semantic levelling of the Portuguese and Spanish expansionistic experiences on the author's part is suggestive and begs us to re-consider the terminology that is used to describe and ultimately to distinguish between historical realities that may not be as far apart as has been traditionally believed particularly within the realm of Portuguese historiography. These are rather small yet not unimportant critical observations that in no way undermine the rigor and originality of Janiga-Perkins' critical enterprise as a whole in Immaterial Transcendences. Femando
Arenas Arenas, Fernando. Rev of Immaterial Transcendences: Colonial Subjectivity as Process in Brazil's "Letter" of Discovery (1500), by Constance Janiga-Perkings. Luso-Brazilian Review. Vol 39, Number 1. Summer 2002
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DR. VILLAGOMEZAssistant Professor Rosita E. Villagómez earned her Ph.D. in Spanish from Florida State University in 2005. Her dissertation, entitled “El esclavo silenciado en las letras puertorriqueñas del siglo XIX,” examined the thematic representation of slavery in colonial Puerto Rico as it appears in poetry, theatre, and essays written before emancipation in 1873. It argues, contrary to contemporary criticism, that there is a discourse of resistance to social and political slavery. Her area of research is 19th century Latin American and Caribbean literature, and postcolonial theories of race, ethnicity, and nationalism. Currently, she is researching the works of Puerto Rican writers Carmela Eulela Sanjurjo (1871-1961) and Salvador Brau (1842-1912) as well as continuing her research on the African Diaspora in the Caribbean Papers
presented: --- "Plácido y Manzano: Dos poetas cubanos del siglo XIX" Southeastern Council on Latin American Studies, Chapel Hill, NC, March 6-8, 2003. --- “El discurso emancipador de José Martí y Eugenio María de Hostos.” Conferencia Internacional por el Equilibrio del Mundo, La Habana, Cuba, January 27-30, 2003. --- “La colonialidad de poder en Patria y libertad de José Martí.” South Atlantic Modern Language Association, Baltimore, MD, November 15-17, 2002. --- “Espejo de paciencia: Reflection of the Social Imaginary.” Race and Racism in Literature and Film, 2002 Annual Colloquium on Literature and Film, Morgantown, West Virginia University, WV, October 10-12, 2002. |
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