MUS 402 FILM SCORING II

11:00 A.M., TR
3 Credit Hours
Instructor: Prof. Christopher Kozak
Moody Music Building, Room 201B
205-348-6333, 205-348-1473 (fax)
ckozak@music.ua.edu
Prerequisite: MUS 401 or permission of instructor.

COURSE DESCRIPTION:

A continuation of Film Scoring I with an emphasis on the extended film score. Focus will be placed on film score analysis and study. Continued study of the use of the click track (steady tempi, mixed tempi and meters, free timing, etc.). Special attention will be paid to the psychological impact of the music and the appropriateness of the cue. Once the projects are written they will be recorded in the Jazz Studio and produced for the student's portfolio.

COURSE GOALS & OBJECTIVES:

The primary objective of the course is to develop the student's skills to quickly ascertain and comprehend the needs of the specific music as dictated by the film and director, then creatively compose, arrange, and orchestrate the project under the guise of a strict deadline. The student will study the psycholigical impact of cues by completing detail analyses of existing film scores and presenting their finding during the class. The student will also develop skills to conduct a recording session successfully, learn to find and correct mistakes by aural recognition and/or score analysis in a time effective fashion, and learn the basics of sonically producing a project for final presentation to a client.

REQUIRED MATERIALS:



The Reel World: Scoring for Pictures, Jeff Rona. Miller Freeman Books, San Francisco: 2000.
On The Track, Rayburn Wright & Fred Karlin, Schirmer Books, 1989.

ASSIGNMENTS & PROJECTS:

Weekly readings and assignments will be given for the student to complete. There will be three projects due in the course. Project #1 is the in-depth anaylisis of 6 existing film scores (scores to be pre-approved by the Professor). Project #2 will be an extended film score - 4 to 5 minutes in length. The student will choose a film clip from the existing clips in the Jazz Program. Project #3 is another extended film score - 4 to 5 minutes in lenght. Students may choose a clip from an existing movie which does not originally include music. Details for all projects will be discussed at length in class.

EXAMINATIONS:

There will be a final examination for this course and will cover all material discussed in the course.

GRADING PROCEDURES & POLICIES:

Assessment of the student's work is based on the following criteria:

  • Comprehension and command of material covered in the course.
  • Completion of projects by the deadline. Late projects will result in lowering of the final grade.
  • Leadership qualities and abilities to the conduct the recording session.
  • Effectiveness of the musical cue.
  • Examination/quizzes.

GRADING SYSTEM:

The student's final grade will be drawn from grades received for each component of the course:

    Grades:
Quizzes 5% 95%-100% = A
Project #1 30% 90%-94% = A-
Project #2 25% 86%-89% = B+
Project #3 25% 82%-85% = B
Final Examination 15% 79%-81% = B-
    75%-78% = C+
    71%-74% = C
    68%-70% = C-
    64%-67% = D+
    60%-63% = D
    57%-59% = D-
    0%-56% = F



ATTENDANCE POLICY:

Attendance of all classes is expected. Because the course only meets once a week, more than 2 absences will lower the final grade by one letter and may also result in expulsion from the class. Any extenuating curcumstances must be immediately discussed with Tom Wolfe.

COURSE OUTLINE:

This is subject to change, dependent on the needs and progress of the class.

Classes  
Week 1/2: Review student projects from Film Scoring I.  
Week 2/1: Technology: Click Tracks.
On the Track, Wright/Karlin, pp. 103-126.
Assignment: Click track examples - TBA.
 
Week 2/2: Technology: Click Tracks continued.
On the Track, Wright/Karlin, pp. 103-126. Assignment: Click track examples - TBA.
 
Week 3/1: Film Scores Analysis.
Listen to the Movies, Karlin. TBA.
Assignment: Project #1. Student presentations begin Week 4/1.
Quiz #1: Click Tracks and Synchonization
Week 3/2: Film Scores Analysis.
Listen to the Movies, Karlin. TBA.
 
Week 4/1: Project #1 - Score #1 due.
Analysis of movies.
 
Week 4/2: Project #1 - Score #1 due continued.  
Week 5/1: The Extended Score.
On the Track, Wright/Karlin, pp. 127-331.
Review of film clips for student projects.
Week 5/2: Writing the Score.
The Reel World, Rona, pp. 98-122.
Score Impact.
Listen to the Movies, Karlin. TBA
 
Week 6/1: Project #1 - Score #2 due.
Analysis of movies.
 
Week 6/2: Project #1 - Score #2 due continued.  
Week 7/1: Individual meeting with the Professor to discuss the film cue. Times - TBA.  
Week 7/2: Completion of Project #2. Project #2 due - score and parts. Recording session time - TBA.
Week 8/1: Review student film scores.  
Week 8/2: Project #1 - Score #3 due.
Analysis of movies.
 
Week 9/1: Project #1 - Score #3 due continued.  
Week 9/2: Review of film clips for Project #3  
Week 10/1: Setting Up a Studio: Synchronization.
The Reel World, Rona, pp. 83-97.
Submit Project #3 film clip for approval.
Week 10/2: Project #1 - Score #4 due.
Analysis of movies.
 
Week 11/1: Project #1 - Score #4 due continued.  
Week 11/2 Film Scores Analysis.
Listen to the Movies, Karlin. TBA
 
Week 12/1 Individual meeting with the Professor to discuss the film cue. Times - TBA.  
Week 12/2 Project #1 - Score #5 due.
Analysis of movies.
 
Week 13/1 Project #1 - Score #5 due continued.  
Week 13/2: Student mock presentations of Project #3 cues.  
Week 14/1: Completion of Project #3 Project #3 due - score and parts. Recording session time - TBA.
Week 14/2: Review student film scores.  
Week 15/1: Project #1 - Score #6 due.
Analysis of movies.
 
Week 16/1: Project #1 - Score #6 due continued.  
Week 16/2: Review of projects and materials for Final Examination.  

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In the case of a tornado warning (tornado has been sighted or detected by radar; sirens activated), all university activities are automatically suspended, including all classes and laboratories. If you are in a building, please move immediately to the lowest level and toward the center of the building away from windows (interior classrooms, offices, or corridors) and remain there until the tornado warning has expired. Classes in session when the tornado warning is issued can resume immediately after the warning has expired at the discretion of the instructor. Classes that have not yet begun will resume 30 minutes after the tornado warning has expired provided at least half of the class period remains.

PERSONAL CONDUCT:

It is hoped that students participating in this course will be challenged to achieve their full potential. At the same time, we are committed to providing a non-threatening learning environment. No conduct, which may be regarded as harassing as defined in the University of Alabama's stated policy will be tolerated.

To request disability accommodations, please contact Disabilities Services (348-4285). After initial arrangements are made with that office, contact the instructor.

 


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